...WANDA "Schickt mir die Post"

Release Party

On Sunday 20th, Easter, WANDA released the first Single "Schickt mir die Post" ("Send me the mail") from their upcoming (yet, as far as I know, untitled) album. To celebrate this undoubtedly important event for this young band, they gave a concert at Fluc, like Rhiz one of the most distinguished venues for new rock music.

Marco Michael Wanda, Ray Weber (Image: B. Meyer-Plutowski)

Before the concert I talked to Stefan Redelsteiner, CEO of Problembär Records,  the label WANDA has a contract with. He told me that "Schickt mir die Post" will be a probe to prepare the world for WANDA. It is one of their more accessible songs, a carpe diem-kind-of composition that follows the last hours of a terminally ill (played by M. M. Wanda in the video) who want to ascend to heaven as soon and convenient (meaning with a party) as possible.

Unfortunately, due to technical reasons, it was not possible to screen the video clip, what was really a pity and should not have happened on a release party.

Nevertheless, the video is now available via Youtube.

It is very interesting to see and hear the difference between the studio version and the live version. The environments in which WANDA is performing provide a distinct layer of authenticity which the studio version definitively lacks. It seems to me that the dust and the darkness of the venue is a vital ingredient of the music by WANDA.

A new Account on WANDA

I already wrote a review on WANDA some weeks ago, when I first attended a concert of them in Rhiz. On this occasion, I was extolling the band, writing "Austrian pop music taken to a new level", which was subsequently cited plenty of times to characterize the music of WANDA. But as the weeks went by, I wasn't so sure that my high estimation of WANDA could stand another concert.

The main question was whether the music by WANDA is for the drunk or the lovelorn and sad. After the last concert, I can say, it is for the latter. But why these concerns in the first place?

With "Bologna", WANDA has a signature song. The fans know the lyrics by heart, and the performance of this song is available on Youtube. Thus, "Bologna" is more than a song, it's a hymn, although the lyrics doesn't make much sense, at least not to me. (It is about a man who fell for his cousin. Though he did not have the courage to love her, he dreams of Bologna, where Aunt Ceccarelli probably once did what he longs to do.) I do not think that lyrics necessarily have to make any sense, but they should at least give one or two contact points for free associations. If not, they are just songs for chanting along, quickly learned and ever quicker forgotten.

M. Chr. Poppe, M. M. Wanda, Chr. Hummer, R. Weber (Image: BMP)

This concerts proofed, that WANDA avoids that pitfall. Maybe due to the acoustics in Fluc, I was able to understand the lyrics much better than in Rhiz. One of my favorite songs, together with "Sterne", (which they omitted sadly), is "Niemand weiß, dass es uns überhaupt gegeben hat" ("Nobody knows that we have ever existed"). It is literally impossible to describe the "sense" of this song, since it is full of meaning. This makes WANDA outstanding and much more interesting than, for example, Christina Stürmer. They don't sell out the audience with asinine lyrics, and the audience appreciates to not be put off.

The lyrics by WANDA are often depressing, but they do not immerse in depression. They are complex, but they do not reject the listener. Accordingly, the music is packing the lyrics like gift-wrapping paper is packing barb wire.

A huge portion of the success of project WANDA is due to singer, composer, and lyricist Marco Michael Wanda. He certainly is born for the stage and is visibly enjoying every moment of it. He sometimes oversteps his role, when he is burping into the microphone or spitting tap water into the audience. But every performance is filled and fueled with his respect for the the music. During the performance of "Meine beiden Schwestern" ("My two sisters") the monitor ceased to work, but instead of delivering a weak song he insisted on an immediate solution before proceeding. He might be playing a role - the steady smoking on the stage, the drinking, occasional swear words - but he is also a pro. He does not sacrifice the music for his behavior.

This lust to perform is also kindling his fellow musician. Especially Lukas Hasitschka (drums) and Ray Weber (Bass) are visibly enjoying playing in this band. 

What happens on the Stage, stays on the Stage

Before the concerts I talked to some members of the audience, who told me that WANDA is not receiving only positive reviews. They were accused of being "macho assholes." I could not confirm this so far, but want to counter this so-called criticism anyway. I do not know any member of this band personally; I talked to Wanda and keyboarder Christian Hummer only briefly. They seemed to me, as far as I can tell, like easy-going guys. This may or may not be true - I don't care. The only thing that counts is their music. Their stage appearance has nothing to do with what they are beyond it. If we use personal credibility as a means to measure artistic credibility, everybody would have to submit a resume and a certificate of personal liability prior to entering the stage. What should we think of Richard Wagner, who betrayed his friend by sleeping with his wife? It should be clear by now that this kind of criticism is nothing more than an insult.

I always wish that Wanda would introduce his fellow band members to the audience. He did not do it in Rhiz nor in Fluc. I have no idea why, for me it is a little bit odd.

However, I am glad that WANDA reached the next step of their career. On May 15th they play at WUK as support for "Der Nino aus Wien." I certainly will be there.

Chr. Hummer, M. M. Wanda, Ray Weber (Image: BMP)

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